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INSIDE THIS HEART OF MINE

what i always want my tea to tell me but its never that explicit

5/15/2015

 
the first summer i experienced displacement & houselessness as a bonafide adult with a child, i was enrolled in summer classes at the university.  one of my classes was intro to drawing, twice a week, three hours per class.

prior to taking this course, i was familiar with chalk pastels, comfortable with the way i could draw what i could & then smear the rest.  i enjoyed the way chalk was messy, evidence all over my fingers, unintentionally all over my paper, & most often on other unintended articles of clothing, table tops, door knobs.  

at twice a week, in three hour increments, i fell in love with drawing just like i fall in love with everything else--slowly, cautiously, almost begrudgingly, then whole whole whole heartedly.  i was afraid i'd be bad at it, frustrated at my lack of easy line making skill.  i also wanted to like what i was drawing, be wow!-ed at my marvelous abilities, but it just wasn't happening like that.  

committment (eeek!) to the process helped.  i think the only class i had to miss was when i had to make sure all my shit was packed & the place cleaned before we embarked on the journey of what the fuck do we do now?  it also helped that i could flip to the first page in my drawing pad & see that i was actually making progress & not just saying that to make myself feel better.  week by week, the hours flew by with quicker, sweeter ease than i expected.  

ink & graphite are my favorite tools to create with, i learned.  i love the way ink makes that scratchy sound as i drag the tip across the soft & subtle grain, how i can feel the way graphite wants to yawn all over that 130 g/m squared paper.  & with each inanimate object i drew, i found myself stilled at my core in a way akin to meditation.  this, too, became my practice at accepting what is.  i was introduced to charcoal & a variety of pencil densities, but when final project time came around, it was ink that i decided to bang my heart out with.

for my last still i chose a photograph of me & newborn panda babe, with their little head on my chest, & my eyes closed in this totes tender mama way.  its one of my favorite photos of us (that i actually haven't been able to find since).  as background, i chose a basket, their baby blanket, & one of their cheesy smelling shoes with iconic vans checkered panels on the side.  it was an ode to us that i never finished.  i drew everything but us.  i was too afraid of fucking it up, which says everything there is to know about me.  

i am still here, afraid of fucking us up, on femmecation trying to call my spirit back to my body & fill us with more than sadness & survival.  & i bought myself a tiny, 6in. x 8in., 80 lb., spiral bound at the top, drawing pad.  & this is my first doodle in years.  i like it.  its not perfect, & i like it.  a  lot.
Picture
i'll always love you.  May 2015.

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    Picture
    Photo by Wit López, 2016


    ​Lettie Laughter

    is a chronically ill queer brown femme, community healer, poet, playwright, & performer extraordinaire.  They live, femmeifest, love, & write in Philly.

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